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Clips from Adaptation. (2002)

"- You're a genius. - Which line?"
Adaptation. (2002)
"You're a genius. You're a genius."
Adaptation. (2002)
"We see orchid hunter Augustus Margary."
Adaptation. (2002)
"He wears a filthy, spittle-soaked rag around his head to quell the pain."
Adaptation. (2002)
"The back of his trousers are stained greasy black from an anal leakage"
Adaptation. (2002)
"due to dysentery."
Adaptation. (2002)
"He moans with each tentative step through the overgrown jungle."
Adaptation. (2002)
"I'm fucked."
Adaptation. (2002)
"We open with Laroche. He's funny. He says, I love to mutate plants."
Adaptation. (2002)
"He says, mutation is fun. Okay, we show flowers and... Okay."
Adaptation. (2002)
"We have to have the case. Show Laroche."
Adaptation. (2002)
"He says, I was mutated as a baby. It's why I'm so smart."
Adaptation. (2002)
"That's funny. Okay, we open at the beginning of time. No! Laroche is driving into the swamp."
Adaptation. (2002)
"Crazy White Man!"
Adaptation. (2002)
"I don't know how to adapt this. I should've stuck with my own stuff."
Adaptation. (2002)
"Don't know why I thought I could write this."
Adaptation. (2002)
"See her?"
Adaptation. (2002)
"I fucked her up the ass."
Adaptation. (2002)
"No. I'm kidding."
Adaptation. (2002)
"Maybe I can help."
Adaptation. (2002)
"It's about flowers."
Adaptation. (2002)
"Okay. Um..."
Adaptation. (2002)
"But it's not only about flowers, right? You have the crazy plant-nut guy?"
Adaptation. (2002)
"He's funny. Right?"
Adaptation. (2002)
"There's not nearly enough of him to fill a book."
Adaptation. (2002)
"So Orlean digresses in long passages blah, blah, blah..."
Adaptation. (2002)
"No narrative unites these passages. New York Times Book Review."
Adaptation. (2002)
"I can't structure this. It's that sprawling New Yorker shit."
Adaptation. (2002)
"Oh, man, I'd fuck her up the ass."
Adaptation. (2002)
"- Sorry. - The book has no story."
Adaptation. (2002)
"All right. Make one up."
Adaptation. (2002)
"I mean, nobody in this town can make up a crazy story like you."
Adaptation. (2002)
"- You're the king of that. - No, I didn't want to do that this time."
Adaptation. (2002)
"It's someone else's material. I have a responsibility to Susan..."
Adaptation. (2002)
"Anyway, I wanted to grow as a writer. I wanted to do something simple."
Adaptation. (2002)
"Show people how amazing flowers are."
Adaptation. (2002)
"Are they amazing?"
Adaptation. (2002)
"I don't know. I think they are."
Adaptation. (2002)
"- I need you to get me out of this. - All right."
Adaptation. (2002)
"Charlie, you've been stringing them along for months."
Adaptation. (2002)
"Not to give them anything at this point would be a terrible career move."
Adaptation. (2002)
"Hey, my script's going amazing."
Adaptation. (2002)
"Right now, I'm working out an image system."
Adaptation. (2002)
"Because of my multiple personality theme, I've chosen a motif"
Adaptation. (2002)
"of broken mirrors to show my protagonist's fragmented self."
Adaptation. (2002)
"Bob says an image system increases the complexity of an aesthetic emotion."
Adaptation. (2002)
"- Bob says... - You sound like you're in a cult."
Adaptation. (2002)
"No, it's just good writing technique."
Adaptation. (2002)
"I made you a copy of McKee's 10 Commandments."
Adaptation. (2002)
"I posted one over both our work areas."
Adaptation. (2002)
"You shouldn't have done that."
Adaptation. (2002)
"Because it's extremely helpful. Hey, Charles, I'm putting a song on."
Adaptation. (2002)
"Happy Together."
Adaptation. (2002)
"Like when characters sing in their pajamas and dance around."
Adaptation. (2002)
"I thought it'd break the tension."
Adaptation. (2002)
"At first I was nervous about putting a song in a thriller,"
Adaptation. (2002)
"but Bob says that Casablanca, one of the greatest screenplays ever written,"
Adaptation. (2002)
"did exactly that. Mixed genres."
Adaptation. (2002)
"I haven't slept in a week, Donald."
Adaptation. (2002)
"- I need to go to bed. - Oh. Okay."
Adaptation. (2002)
"Good night."
Adaptation. (2002)
"- Yeah? - Hi."
Adaptation. (2002)
"John, it's Susan again."
Adaptation. (2002)
"Hey, Susie-Q."
Adaptation. (2002)
"How's it going?"
Adaptation. (2002)
"Great. I'm training myself on the Internet."
Adaptation. (2002)
"It's fascinating. I'm doing pornography."
Adaptation. (2002)
"It's amazing how much these suckers will pay for photographs of chicks."
Adaptation. (2002)
"It doesn't matter if they're fat or ugly or what."
Adaptation. (2002)
"Well, that sounds good."
Adaptation. (2002)
"It's great, is what it is."
Adaptation. (2002)
"Listen, John, I hate feeling like I'm being a pain to you, but I..."
Adaptation. (2002)
"I still haven't seen a ghost."
Adaptation. (2002)
"- Yeah? - And I was hoping maybe you'd..."
Adaptation. (2002)
"Yeah."
Adaptation. (2002)
"Yeah, I'll take you in."
Adaptation. (2002)
"- Tomorrow. - Really?"
Adaptation. (2002)
"Thank you so much."
Adaptation. (2002)
"Oh, John."
Adaptation. (2002)
"Damn it."
Adaptation. (2002)
"There are too many ideas and things and people."
Adaptation. (2002)
"Too many directions to go."
Adaptation. (2002)
"I was starting to believe the reason it matters to care about something"
Adaptation. (2002)
"is that it whittles the world down"
Adaptation. (2002)
"to a more manageable size."
Adaptation. (2002)
"Such sweet, sad insights."
Adaptation. (2002)
"So true."
Adaptation. (2002)
"I like looking at you."
Adaptation. (2002)
"I like looking at you too, Charlie."
Adaptation. (2002)
"I don't know how to do this."
Adaptation. (2002)
"I'm afraid I'll disappoint you."
Adaptation. (2002)
"You've written a beautiful book."
Adaptation. (2002)
"I can't sleep."
Adaptation. (2002)
"I'm losing my hair. I'm fat and repulsive."
Adaptation. (2002)
"You're not. You're not."
Adaptation. (2002)
"Just whittle it down, you know?"
Adaptation. (2002)
"Focus on one thing in the story."
Adaptation. (2002)
"Find that one thing"
Adaptation. (2002)
"that you care passionately about"
Adaptation. (2002)
"and then write about that."
Adaptation. (2002)
"Delicate, haunted by loneliness,"
Adaptation. (2002)
"fragile, beautiful."
Adaptation. (2002)
"She lies awake next to her sleeping, insensitive husband."
Adaptation. (2002)
"Her voice-over begins,"
Adaptation. (2002)
"I suppose I do have one unembarrassed passion."
Adaptation. (2002)
"I want to know how it feels to care about something passionately."
Adaptation. (2002)
"- Hey. - Morning."
Adaptation. (2002)
"Hey, you two. Up early for a change?"
Adaptation. (2002)
"- You seem chipper. - I'm good. I have some new ideas."
Adaptation. (2002)
"God, you guys are so smart. It's like a brain factory in here."
Adaptation. (2002)
"- I got some ideas too this morning. - He got really, really good ones."
Adaptation. (2002)
"You know, in a Donald sort of way."
Adaptation. (2002)
"I'm putting... Hey! What?"
Adaptation. (2002)
"I'm putting in a chase sequence. So the killer flees on horseback with the girl."
Adaptation. (2002)
"Cop's after them on a motorcycle."
Adaptation. (2002)
"And it's like a battle between motors and horses."
Adaptation. (2002)
"Like technology versus horse."
Adaptation. (2002)
"And they're still all one person, right?"
Adaptation. (2002)
"Well, that's the big payoff."
Adaptation. (2002)
"- It sounds exciting. - Thanks, man."
Adaptation. (2002)
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