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Clips from Cheers - I'll Be Seeing You: Part 2 (S02E02)

AFTERNOON, EVERYBODY.

"AFTERNOON, EVERYBODY."

Cheers

NORM! NORM! NORM!

"NORM! NORM! NORM!"

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WHAT'S UP, NORMIE?

"WHAT'S UP, NORMIE?"

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THE TEMPERATURE UNDER MY COLLAR, COACH.

"THE TEMPERATURE UNDER MY COLLAR, COACH."

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OH, WHAT'S THE MATTER THERE, BIG GUY?

"OH, WHAT'S THE MATTER THERE, BIG GUY?"

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THAT DAMN HUNGRY HEIFER RESTAURANT AGAIN.

"THAT DAMN HUNGRY HEIFER RESTAURANT AGAIN."

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THE PLACE IS THE PITS.

"THE PLACE IS THE PITS."

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WAIT. YOU WENT BACK? I THOUGHT YOU HATED IT THERE.

"WAIT. YOU WENT BACK? I THOUGHT YOU HATED IT THERE."

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I GOT LURED BACK BY THEIR SURF-AND-TURF SPECIAL.

"I GOT LURED BACK BY THEIR SURF-AND-TURF SPECIAL."

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OH, YEAH. WHAT'S THAT, LOBSTER AND STEAK, HUH?

"OH, YEAH. WHAT'S THAT, LOBSTER AND STEAK, HUH?"

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TUNA FISH SANDWICH WITH BEEF GRAVY.

"TUNA FISH SANDWICH WITH BEEF GRAVY."

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WELL, DIANE IS LATE AGAIN TODAY.

"WELL, DIANE IS LATE AGAIN TODAY."

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YOU KNOW SOMETHING? SHE'S BEEN LATE EVERY DAY THIS WEEK.

"YOU KNOW SOMETHING? SHE'S BEEN LATE EVERY DAY THIS WEEK."

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EVER SINCE SAMMY THREW THAT GUY SEMENKO

"EVER SINCE SAMMY THREW THAT GUY SEMENKO"

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OUT OF THE BAR.

"OUT OF THE BAR."

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WELL, I COULD HAVE TOLD SAMMY A LOT ABOUT THAT GUY.

"WELL, I COULD HAVE TOLD SAMMY A LOT ABOUT THAT GUY."

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HE'S A REAL HEAD CASE.

"HE'S A REAL HEAD CASE."

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AND, LIKE ALL ARTISTS WORTHY OF THE NAME,

"AND, LIKE ALL ARTISTS WORTHY OF THE NAME,"

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THE MAN IS A HOMOSEXUAL.

"THE MAN IS A HOMOSEXUAL."

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COME ON, CLIFF. YOU THINK THAT EVERYBODY

"COME ON, CLIFF. YOU THINK THAT EVERYBODY"

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WHO'S THE SLIGHTEST BIT DIFFERENT IS GAY.

"WHO'S THE SLIGHTEST BIT DIFFERENT IS GAY."

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OH, HEY, NO. I'M GIVING YOU THE BENEFIT OF THE DOUBT.

"OH, HEY, NO. I'M GIVING YOU THE BENEFIT OF THE DOUBT."

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ALL RIGHT. YOU THINK THAT ALL ARTISTS ARE GAY.

"ALL RIGHT. YOU THINK THAT ALL ARTISTS ARE GAY."

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ABSOLUTELY. I MEAN, IF YOU DON'T BELIEVE ME,

"ABSOLUTELY. I MEAN, IF YOU DON'T BELIEVE ME,"

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I CAN BRING DOWN THIS COFFEE TABLE BOOK I GOT AT HOME.

"I CAN BRING DOWN THIS COFFEE TABLE BOOK I GOT AT HOME."

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NUDE MALE STATUARY.

"NUDE MALE STATUARY."

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AND YOU TELL ME AFTER YOU LOOK AT THOSE PICTURES

"AND YOU TELL ME AFTER YOU LOOK AT THOSE PICTURES"

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IF THE GUYS WHO CHISELED THOSE LADS AREN'T A LITTLE LIGHT IN THE LOAFERS.

"IF THE GUYS WHO CHISELED THOSE LADS AREN'T A LITTLE LIGHT IN THE LOAFERS."

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PHILLIP...

"PHILLIP..."

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THAT'S WONDERFUL.

"THAT'S WONDERFUL."

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REALLY, IT IS.

"REALLY, IT IS."

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DAMN IT!

"DAMN IT!"

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I'VE RUN OUT OF TALENT.

"I'VE RUN OUT OF TALENT."

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PHILLIP...

"PHILLIP..."

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I'M WORTHLESS.

"I'M WORTHLESS."

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I'M A DOG.

"I'M A DOG."

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STICK A KNIFE BETWEEN MY SHOULDER BLADES.

"STICK A KNIFE BETWEEN MY SHOULDER BLADES."

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PHILLIP, PLEASE.

"PHILLIP, PLEASE."

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YOU DO THIS EVERY DAY.

"YOU DO THIS EVERY DAY."

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TODAY, IT'S DIFFERENT.

"TODAY, IT'S DIFFERENT."

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I'VE REALLY LOST IT.

"I'VE REALLY LOST IT."

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IS THERE ANYTHING I CAN DO?

"IS THERE ANYTHING I CAN DO?"

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THERE IS ONE THING.

"THERE IS ONE THING."

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WELL, ANYTHING. WHAT?

"WELL, ANYTHING. WHAT?"

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LET'S GO TO BED.

"LET'S GO TO BED."

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YOU WANT TO...

"YOU WANT TO..."

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MAKE LOVE?

"MAKE LOVE?"

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NO. I ALWAYS TAKE A NAP

"NO. I ALWAYS TAKE A NAP"

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WITH A BLOND IN THE AFTERNOON.

"WITH A BLOND IN THE AFTERNOON."

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PHILLIP, I DON'T KNOW WHAT TO SAY.

"PHILLIP, I DON'T KNOW WHAT TO SAY."

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I THOUGHT WE HAD A PROFESSIONAL RELATIONSHIP.

"I THOUGHT WE HAD A PROFESSIONAL RELATIONSHIP."

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OK. AFTERWARDS, YOU CAN PAY ME.

"OK. AFTERWARDS, YOU CAN PAY ME."

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I MAKE LOVE TO EVERYTHING I PAINT.

"I MAKE LOVE TO EVERYTHING I PAINT."

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YOUR MOST FAMOUS PAINTING

"YOUR MOST FAMOUS PAINTING"

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IS OF THE HARVARD/YALE FOOTBALL GAME.

"IS OF THE HARVARD/YALE FOOTBALL GAME."

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YES. I SPENT THREE MONTHS IN JAIL.

"YES. I SPENT THREE MONTHS IN JAIL."

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COLLEGE TYPES DON'T UNDERSTAND ME.

"COLLEGE TYPES DON'T UNDERSTAND ME."

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I DO, HOWEVER, STILL GET A FEW CHRISTMAS CARDS.

"I DO, HOWEVER, STILL GET A FEW CHRISTMAS CARDS."

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PHILLIP...

"PHILLIP..."

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YOU'RE A VERY TALENTED MAN.

"YOU'RE A VERY TALENTED MAN."

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IF WE HAD MET AT A DIFFERENT TIME,

"IF WE HAD MET AT A DIFFERENT TIME,"

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IN A DIFFERENT PLACE--

"IN A DIFFERENT PLACE--"

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WAIT A MINUTE.

"WAIT A MINUTE."

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THE PROBLEM IS NOT MY TALENT. IT'S YOU.

"THE PROBLEM IS NOT MY TALENT. IT'S YOU."

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YOU'VE LOST YOUR AGONY.

"YOU'VE LOST YOUR AGONY."

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YOU'VE LOST THAT SENSE OF ANGUISH

"YOU'VE LOST THAT SENSE OF ANGUISH"

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THAT DREW ME TO YOU.

"THAT DREW ME TO YOU."

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I'M DREADFULLY SORRY. WHAT SHOULD I DO TO GET UNHAPPY?

"I'M DREADFULLY SORRY. WHAT SHOULD I DO TO GET UNHAPPY?"

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WHY DON'T YOU GO SEE WHAT BULLWINKLE'S DOING?

"WHY DON'T YOU GO SEE WHAT BULLWINKLE'S DOING?"

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DON'T CALL HIM THAT.

"DON'T CALL HIM THAT."

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WHO?

"WHO?"

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I KNOW TO WHOM YOU ARE REFERRING.

"I KNOW TO WHOM YOU ARE REFERRING."

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YOU'RE ALWAYS MAKING REMARKS ABOUT HIM.

"YOU'RE ALWAYS MAKING REMARKS ABOUT HIM."

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I DON'T LIKE THAT.

"I DON'T LIKE THAT."

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YOU DON'T KNOW HIM.

"YOU DON'T KNOW HIM."

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I KNOW HIM.

"I KNOW HIM."

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I KNOW HIM BETTER THAN YOU DO.

"I KNOW HIM BETTER THAN YOU DO."

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WHAT A PRIZE!

"WHAT A PRIZE!"

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PHILLIP, STOP.

"PHILLIP, STOP."

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I ADMIT, SAM AND I ARE VERY DIFFERENT PEOPLE.

"I ADMIT, SAM AND I ARE VERY DIFFERENT PEOPLE."

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SOMETIMES, THAT'S GOOD.

"SOMETIMES, THAT'S GOOD."

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SOMETIMES IT'S NOT SO GOOD.

"SOMETIMES IT'S NOT SO GOOD."

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SOMETIMES HE MAKES ME CRY.

"SOMETIMES HE MAKES ME CRY."

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SOMETIMES HE HURTS ME AND SEEMS TO LIKE IT.

"SOMETIMES HE HURTS ME AND SEEMS TO LIKE IT."

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THAT'S IT.

"THAT'S IT."

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IT'S BACK.

"IT'S BACK."

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THE TORMENT IS BACK,

"THE TORMENT IS BACK,"

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AND WITH IT, MY BRILLIANCE.

"AND WITH IT, MY BRILLIANCE."

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I'LL PUT SOME COFFEE ON.

"I'LL PUT SOME COFFEE ON."

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NEVER MIND. I'M DONE.

"NEVER MIND. I'M DONE."

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WHAT?

"WHAT?"

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OH, PHILLIP...

"OH, PHILLIP..."

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I LOVE IT.

"I LOVE IT."

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SO WILL SAM. HE WILL.

"SO WILL SAM. HE WILL."

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HA!

"HA!"

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OK, I GOT IT.

"OK, I GOT IT."

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MY PROBLEMS ARE SOLVED.

"MY PROBLEMS ARE SOLVED."

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AN EXPLODING PIZZA FOR DIANE?

"AN EXPLODING PIZZA FOR DIANE?"

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NO. THAT'S GOOD, BUT NO.

"NO. THAT'S GOOD, BUT NO."

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REMEMBER HOW SHE WAS SO DISAPPOINTED

"REMEMBER HOW SHE WAS SO DISAPPOINTED"

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THAT I WOULDN'T LET THAT SMIRNOFF GUY PAINT HER?

"THAT I WOULDN'T LET THAT SMIRNOFF GUY PAINT HER?"

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SHE KEEPS INSISTING HE'S A GREAT ARTIST.

"SHE KEEPS INSISTING HE'S A GREAT ARTIST."

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WE ALL KNOW WHAT THAT MEANS, RIGHT?

"WE ALL KNOW WHAT THAT MEANS, RIGHT?"

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WELL, I FINALLY GOT SOMETHING TO CHEER HER UP HERE.

"WELL, I FINALLY GOT SOMETHING TO CHEER HER UP HERE."

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I HAD SOMEBODY DO A GREAT PAINTING OF HER FROM THOSE PHOTOGRAPHS

"I HAD SOMEBODY DO A GREAT PAINTING OF HER FROM THOSE PHOTOGRAPHS"

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THAT WEREN'T GOOD ENOUGH FOR LAUGHING BOY.

"THAT WEREN'T GOOD ENOUGH FOR LAUGHING BOY."

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WHERE DID YOU GET IT, SAM?

"WHERE DID YOU GET IT, SAM?"

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I SAW AN AD IN TV GUIDE--

"I SAW AN AD IN TV GUIDE--"

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YOU KNOW, THE ONE WITH THE COVER STORY

"YOU KNOW, THE ONE WITH THE COVER STORY"

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ABOUT THE 10 CUTEST SITCOM KIDS.

"ABOUT THE 10 CUTEST SITCOM KIDS."

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OH, YEAH. INTERESTING READING.

"OH, YEAH. INTERESTING READING."

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WELL, THIS GUY TAKES AN ORDINARY PHOTOGRAPH,

"WELL, THIS GUY TAKES AN ORDINARY PHOTOGRAPH,"

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AND HE TURNS IT INTO A WORK OF ART.

"AND HE TURNS IT INTO A WORK OF ART."

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ARE YOU READY FOR THIS?

"ARE YOU READY FOR THIS?"

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YEAH.

"YEAH."

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GOOD ONE, SAMMY.

"GOOD ONE, SAMMY."

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EVEN I THINK THAT'S TACKY!

"EVEN I THINK THAT'S TACKY!"

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REAL JERKY, HUH?

"REAL JERKY, HUH?"

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I KNEW THAT.

"I KNEW THAT."

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DON'T YOU WORRY ABOUT ME.

"DON'T YOU WORRY ABOUT ME."

Cheers

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