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Clips from Cheers - Coach in Love: Part 2 (S03E03)

COME ON, DIANE, I MEAN, YOU OF ALL PEOPLE SHOULD REALIZE

"COME ON, DIANE, I MEAN, YOU OF ALL PEOPLE SHOULD REALIZE"

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HOW PAINFUL IT IS TO LOVE SOMEBODY

"HOW PAINFUL IT IS TO LOVE SOMEBODY"

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WHO DOESN'T LOVE YOU BACK.

"WHO DOESN'T LOVE YOU BACK."

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AH, YES. YOUR SOBBING, YOUR WHIMPERING,

"AH, YES. YOUR SOBBING, YOUR WHIMPERING,"

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YOUR MOONY-EYED SIGHS HAVE NOT GONE UNNOTICED.

"YOUR MOONY-EYED SIGHS HAVE NOT GONE UNNOTICED."

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YOU MUST HAVE DREAMT THAT ABOUT ME.

"YOU MUST HAVE DREAMT THAT ABOUT ME."

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SO THE DREAMS ABOUT ME CONTINUE, HUH?

"SO THE DREAMS ABOUT ME CONTINUE, HUH?"

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STILL HAVE THE ONE ABOUT THE WHITE HORSE?

"STILL HAVE THE ONE ABOUT THE WHITE HORSE?"

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ONE END OF IT.

"ONE END OF IT."

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THE DAY I MET FRASIER CRANE,

"THE DAY I MET FRASIER CRANE,"

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I STOPPED LOOKING FOR MR. RIGHT.

"I STOPPED LOOKING FOR MR. RIGHT."

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YEAH. THAT WOULD DISCOURAGE ME, TOO.

"YEAH. THAT WOULD DISCOURAGE ME, TOO."

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WHY DON'T YOU 2 EITHER HIT EACH OTHER IN THE FACE OR SHUT UP?

"WHY DON'T YOU 2 EITHER HIT EACH OTHER IN THE FACE OR SHUT UP?"

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WE'RE TRYING TO DEAL WITH THE COACH HERE.

"WE'RE TRYING TO DEAL WITH THE COACH HERE."

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ALL RIGHT, CARLA, YOU'RE RIGHT,

"ALL RIGHT, CARLA, YOU'RE RIGHT,"

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BUT IS THERE ANYTHING WRONG WITH A MAN BELIEVING

"BUT IS THERE ANYTHING WRONG WITH A MAN BELIEVING"

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THAT THE WOMAN HE LOVES WILL COME BACK TO HIM?

"THAT THE WOMAN HE LOVES WILL COME BACK TO HIM?"

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YES. WHEN THE CHANCES THAT SHE WILL

"YES. WHEN THE CHANCES THAT SHE WILL"

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ARE NONE AND FORGET IT.

"ARE NONE AND FORGET IT."

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WELL, I'M SURE THAT IF IRENE KNEW

"WELL, I'M SURE THAT IF IRENE KNEW"

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HOW STRONGLY THE COACH STILL FELT ABOUT IT,

"HOW STRONGLY THE COACH STILL FELT ABOUT IT,"

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SHE'D MAKE AN EFFORT TO TALK TO HIM AND STRAIGHTEN HIM OUT.

"SHE'D MAKE AN EFFORT TO TALK TO HIM AND STRAIGHTEN HIM OUT."

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YEAH, BUT WE DON'T EVEN KNOW HOW TO GET IN TOUCH WITH HER.

"YEAH, BUT WE DON'T EVEN KNOW HOW TO GET IN TOUCH WITH HER."

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OH, BUT I DO KNOW HOW TO GET IN TOUCH WITH HER DAUGHTER,

"OH, BUT I DO KNOW HOW TO GET IN TOUCH WITH HER DAUGHTER,"

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MISS FROSTBOTTOM.

"MISS FROSTBOTTOM."

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I TELL YOU WHAT I'M GONNA DO,

"I TELL YOU WHAT I'M GONNA DO,"

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I'M GONNA GIVE HER A LITTLE MESSAGE TO PASS ON TO MOTHER,

"I'M GONNA GIVE HER A LITTLE MESSAGE TO PASS ON TO MOTHER,"

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AND SHE CAN KEEP A LITTLE OF IT FOR HERSELF.

"AND SHE CAN KEEP A LITTLE OF IT FOR HERSELF."

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WHOO, YEAH!

"WHOO, YEAH!"

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YEAH, A LITTLE MESSAGE ABOUT A COUPLE OF WOMEN

"YEAH, A LITTLE MESSAGE ABOUT A COUPLE OF WOMEN"

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THAT DON'T KNOW THE FIRST THING ABOUT BEING DECENT TO FOLKS.

"THAT DON'T KNOW THE FIRST THING ABOUT BEING DECENT TO FOLKS."

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ALL RIGHT!

"ALL RIGHT!"

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HI, BABE. SAM MALONE. BUSY TONIGHT?

"HI, BABE. SAM MALONE. BUSY TONIGHT?"

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FOR THE REST OF YOUR LIFE.

"FOR THE REST OF YOUR LIFE."

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YEAH, WELL, I THOUGHT THAT'S WHAT YOU WERE GONNA SAY, BUT WHOA.

"YEAH, WELL, I THOUGHT THAT'S WHAT YOU WERE GONNA SAY, BUT WHOA."

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BEFORE YOU HANG UP ON ME HERE,

"BEFORE YOU HANG UP ON ME HERE,"

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THIS PHONE CALL DOESN'T HAVE ANYTHING TO DO WITH YOU.

"THIS PHONE CALL DOESN'T HAVE ANYTHING TO DO WITH YOU."

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IT'S ABOUT YOUR MOTHER

"IT'S ABOUT YOUR MOTHER"

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AND THE WAY SHE'S BEEN TREATING THE COACH. I MEAN, I THINK IT STINKS.

"AND THE WAY SHE'S BEEN TREATING THE COACH. I MEAN, I THINK IT STINKS."

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I DON'T EVEN WANT TO TELL YOU HOW OUTRAGED I AM OVER THE PHONE,

"I DON'T EVEN WANT TO TELL YOU HOW OUTRAGED I AM OVER THE PHONE,"

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SO HOW ABOUT WE GET TOGETHER FOR DINNER TONIGHT?

"SO HOW ABOUT WE GET TOGETHER FOR DINNER TONIGHT?"

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YEAH, WELL, I KNEW YOU WERE GONNA SAY THAT.

"YEAH, WELL, I KNEW YOU WERE GONNA SAY THAT."

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BUT LISTEN UP HERE. I DON'T WANT TO GO TO DINNER.

"BUT LISTEN UP HERE. I DON'T WANT TO GO TO DINNER."

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I ALREADY ATE.

"I ALREADY ATE."

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SO HOW ABOUT A DRINK?

"SO HOW ABOUT A DRINK?"

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WELL, I KNEW YOU WERE GONNA SAY THAT, TOO,

"WELL, I KNEW YOU WERE GONNA SAY THAT, TOO,"

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BUT I GOT NEWS FOR YOU. I DON'T DRINK.

"BUT I GOT NEWS FOR YOU. I DON'T DRINK."

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SO...YEAH.

"SO...YEAH."

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WHO FEELS STUPID NOW, HUH?

"WHO FEELS STUPID NOW, HUH?"

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YOU AGREE WITH ME?

"YOU AGREE WITH ME?"

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WELL, YOU SHOULD BE ASHAMED OF YOUR MOTHER, SUE.

"WELL, YOU SHOULD BE ASHAMED OF YOUR MOTHER, SUE."

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I MEAN, COME ON, WHAT'S GOING ON HERE?

"I MEAN, COME ON, WHAT'S GOING ON HERE?"

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CORFU?

"CORFU?"

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OH, NO. AW...

"OH, NO. AW..."

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YEAH. WELL, THANKS.

"YEAH. WELL, THANKS."

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YOU KNOW, I'M BEGINNING TO HATE THE WOMEN IN THAT FAMILY.

"YOU KNOW, I'M BEGINNING TO HATE THE WOMEN IN THAT FAMILY."

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WHAT IS IT?

"WHAT IS IT?"

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IRENE'S ENGAGED TO ANOTHER MAN--

"IRENE'S ENGAGED TO ANOTHER MAN--"

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SOME HOTSHOT

"SOME HOTSHOT"

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FOREIGN INDUSTRIALIST MILLIONAIRE.

"FOREIGN INDUSTRIALIST MILLIONAIRE."

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SAID HIS NAME WAS LODZ OR SOMETHING.

"SAID HIS NAME WAS LODZ OR SOMETHING."

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STANISLAV LODZ?

"STANISLAV LODZ?"

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OOH, WHAT A CATCH.

"OOH, WHAT A CATCH."

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ANYWAY...

"ANYWAY..."

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SHE'S LIVING WITH HIM IN CORFU, WHEREVER THE HELL THAT IS.

"SHE'S LIVING WITH HIM IN CORFU, WHEREVER THE HELL THAT IS."

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CORFU--THE POOR MAN'S PENSACOLA.

"CORFU--THE POOR MAN'S PENSACOLA."

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CHEESE IT. HERE HE COMES.

"CHEESE IT. HERE HE COMES."

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DON'T ANYBODY SAY ANYTHING.

"DON'T ANYBODY SAY ANYTHING."

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ANY CALLS, SAM?

"ANY CALLS, SAM?"

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NO, COACH. NO CALLS.

"NO, COACH. NO CALLS."

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YOU MEAN IRENE DIDN'T CALL?

"YOU MEAN IRENE DIDN'T CALL?"

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COACH, I DON'T THINK IRENE'S GOING TO CALL...

"COACH, I DON'T THINK IRENE'S GOING TO CALL..."

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EVER.

"EVER."

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OH, SAM, YOU'RE SO YOUNG.

"OH, SAM, YOU'RE SO YOUNG."

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YOU'RE SO YOUNG.

"YOU'RE SO YOUNG."

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HEY, COACH...

"HEY, COACH..."

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SHE'S ENGAGED TO ANOTHER MAN.

"SHE'S ENGAGED TO ANOTHER MAN."

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I JUST SPOKE TO HER DAUGHTER.

"I JUST SPOKE TO HER DAUGHTER."

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SOME RICH EUROPEAN GUY.

"SOME RICH EUROPEAN GUY."

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OH, HEAVENS TO BETSY.

"OH, HEAVENS TO BETSY."

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IT LOOKS LIKE I'VE BEEN LEFT AT THE ALTAR.

"IT LOOKS LIKE I'VE BEEN LEFT AT THE ALTAR."

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WHATEVER SHALL I DO?

"WHATEVER SHALL I DO?"

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COACH, WILL YOU WAKE UP AND SMELL THE COFFEE!

"COACH, WILL YOU WAKE UP AND SMELL THE COFFEE!"

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HEY, DIANE. TAKE IT EASY, WILL YOU?

"HEY, DIANE. TAKE IT EASY, WILL YOU?"

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COACH...

"COACH..."

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I'M SORRY.

"I'M SORRY."

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I DIDN'T MEAN TO YELL AT YOU.

"I DIDN'T MEAN TO YELL AT YOU."

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PLEASE FORGIVE ME.

"PLEASE FORGIVE ME."

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IT'S OK, HONEY. IT'S OK.

"IT'S OK, HONEY. IT'S OK."

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UNTIL A FEW MOMENTS AGO,

"UNTIL A FEW MOMENTS AGO,"

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I, TOO, WAS A HOLDOUT FOR A HAPPY ENDING,

"I, TOO, WAS A HOLDOUT FOR A HAPPY ENDING,"

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BUT EVEN THIS NEW, SEEMINGLY INCONTROVERTIBLE EVIDENCE

"BUT EVEN THIS NEW, SEEMINGLY INCONTROVERTIBLE EVIDENCE"

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HASN'T SHAKEN YOUR FAITH A FIG.

"HASN'T SHAKEN YOUR FAITH A FIG."

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HOW CAN YOU BE SO CERTAIN?

"HOW CAN YOU BE SO CERTAIN?"

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RIGHT HERE, DIANE.

"RIGHT HERE, DIANE."

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THE HUMAN HEART.

"THE HUMAN HEART."

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WHO KNOWS HOW IT WORKS?

"WHO KNOWS HOW IT WORKS?"

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IT'S ESSENTIALLY AN INVOLUNTARY MUSCLE, COACH,

"IT'S ESSENTIALLY AN INVOLUNTARY MUSCLE, COACH,"

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ACTIVATED BY ELECTRICAL IMPULSES--

"ACTIVATED BY ELECTRICAL IMPULSES--"

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EXACTLY! NO ONE.

"EXACTLY! NO ONE."

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IT WORKS BY FEELINGS, DIANE.

"IT WORKS BY FEELINGS, DIANE."

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ALL MY FEELINGS TELL ME THAT SHE'LL BE BACK.

"ALL MY FEELINGS TELL ME THAT SHE'LL BE BACK."

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YOU UNDERSTAND?

"YOU UNDERSTAND?"

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SHE'LL BE BACK HERE BEFORE CLOSING TIME.

"SHE'LL BE BACK HERE BEFORE CLOSING TIME."

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* ISN'T THAT ROMANTIC *

"* ISN'T THAT ROMANTIC *"

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* TA DA DA DA DA... *

"* TA DA DA DA DA... *"

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NOTHING SADDER THAN A MAN HOLDING ON

"NOTHING SADDER THAN A MAN HOLDING ON"

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TO A DEAD DREAM.

"TO A DEAD DREAM."

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UNLESS IT'S A BLONDE WOMAN

"UNLESS IT'S A BLONDE WOMAN"

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STRUGGLING TO KEEP HER HOPES UP.

"STRUGGLING TO KEEP HER HOPES UP."

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I THINK IT'S A TALL EX-BASEBALL PLAYER WHO CLINGS...

"I THINK IT'S A TALL EX-BASEBALL PLAYER WHO CLINGS..."

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AAH!

"AAH!"

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COME ON, COACH. HOW ABOUT THE THREE OF US GO OUT

"COME ON, COACH. HOW ABOUT THE THREE OF US GO OUT"

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AND GET SOMETHING TO EAT, LIKE OLD TIMES?

"AND GET SOMETHING TO EAT, LIKE OLD TIMES?"

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I THOUGHT I KNEW HER.

"I THOUGHT I KNEW HER."

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I WAS SO SURE SHE'D COME BACK TODAY.

"I WAS SO SURE SHE'D COME BACK TODAY."

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WELL, MAYBE SHE HAD A FAMILY CRISIS,

"WELL, MAYBE SHE HAD A FAMILY CRISIS,"

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LIKE HER DAUGHTER FELL OFF HER BROOMSTICK.

"LIKE HER DAUGHTER FELL OFF HER BROOMSTICK."

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SAM...

"SAM..."

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HOW ABOUT A PIZZA? YOU LOVE PIZZA.

"HOW ABOUT A PIZZA? YOU LOVE PIZZA."

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