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Clips from Cheers - Personal Business (S02E02)

Short Films 1982 Season 2, Episode 3 29 min 501 clips

Short Drama

CHEERS IS FILMED BEFORE A LIVE STUDIO AUDIENCE.

"CHEERS IS FILMED BEFORE A LIVE STUDIO AUDIENCE."

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I GOT IT. YEAH, THANK YOU.

"I GOT IT. YEAH, THANK YOU."

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TABLE READY UPSTAIRS AT MELVILLE'S

"TABLE READY UPSTAIRS AT MELVILLE'S"

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FOR THE ANDERSON PARTY.

"FOR THE ANDERSON PARTY."

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TABLE READY FOR THE ANDERSON PARTY!

"TABLE READY FOR THE ANDERSON PARTY!"

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YOUR NAME IS ANDERSON?

"YOUR NAME IS ANDERSON?"

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YEAH.

"YEAH."

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I GUESS THERE MUST BE TWO ANDERSON PARTIES.

"I GUESS THERE MUST BE TWO ANDERSON PARTIES."

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WHAT'S THE FIRST NAME?

"WHAT'S THE FIRST NAME?"

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ERNIE, BUT THEY CALL ME COACH.

"ERNIE, BUT THEY CALL ME COACH."

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COACH, THERE ARE TWO ANDERSON PARTIES HERE.

"COACH, THERE ARE TWO ANDERSON PARTIES HERE."

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WOULD YOU CALL UPSTAIRS AND FIND OUT

"WOULD YOU CALL UPSTAIRS AND FIND OUT"

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WHICH ANDERSON PARTY GETS THE TABLE.

"WHICH ANDERSON PARTY GETS THE TABLE."

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GOOD IDEA.

"GOOD IDEA."

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NICK, WE GOT A LITTLE PROBLEM DOWN HERE.

"NICK, WE GOT A LITTLE PROBLEM DOWN HERE."

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THERE ARE TWO ANDERSON PARTIES.

"THERE ARE TWO ANDERSON PARTIES."

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NOW, WHICH ONE IS IT?

"NOW, WHICH ONE IS IT?"

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OH, THANKS, NICK. THANKS.

"OH, THANKS, NICK. THANKS."

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I GOT IT.

"I GOT IT."

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I'M SORRY. I WAS WRONG.

"I'M SORRY. I WAS WRONG."

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IT'S NOT FOR THE ANDERSONS.

"IT'S NOT FOR THE ANDERSONS."

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IT'S FOR THE BLUBBERBUTTS.

"IT'S FOR THE BLUBBERBUTTS."

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TABLE READY FOR THE BLUBBERBUTTS!

"TABLE READY FOR THE BLUBBERBUTTS!"

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TABLE READY FOR THE BLUBBERBUTTS!

"TABLE READY FOR THE BLUBBERBUTTS!"

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* MAKING THE WAY IN THE WORLD TODAY *

"* MAKING THE WAY IN THE WORLD TODAY *"

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* TAKES EVERYTHING YOU'VE GOT *

"* TAKES EVERYTHING YOU'VE GOT *"

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* TAKING A BREAK FROM ALL YOUR WORRIES *

"* TAKING A BREAK FROM ALL YOUR WORRIES *"

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* SURE WOULD HELP A LOT *

"* SURE WOULD HELP A LOT *"

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* WOULDN'T YOU LIKE TO GET AWAY *

"* WOULDN'T YOU LIKE TO GET AWAY *"

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* SOMETIMES YOU WANT TO GO *

"* SOMETIMES YOU WANT TO GO *"

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* WHERE EVERYBODY KNOWS YOUR NAME *

"* WHERE EVERYBODY KNOWS YOUR NAME *"

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* AND THEY'RE ALWAYS GLAD YOU CAME *

"* AND THEY'RE ALWAYS GLAD YOU CAME *"

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* YOU WANT TO BE WHERE YOU CAN SEE *

"* YOU WANT TO BE WHERE YOU CAN SEE *"

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* OUR TROUBLES ARE ALL THE SAME *

"* OUR TROUBLES ARE ALL THE SAME *"

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* YOU WANT TO BE *

"* YOU WANT TO BE *"

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* WHERE EVERYBODY KNOWS YOUR NAME *

"* WHERE EVERYBODY KNOWS YOUR NAME *"

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* YOU WANT TO GO WHERE PEOPLE KNOW *

"* YOU WANT TO GO WHERE PEOPLE KNOW *"

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* PEOPLE ARE ALL THE SAME *

"* PEOPLE ARE ALL THE SAME *"

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* YOU WANT TO GO WHERE EVERYBODY KNOWS YOUR NAME *

"* YOU WANT TO GO WHERE EVERYBODY KNOWS YOUR NAME *"

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DYLAN THOMAS, DELMORE SCHWARTZ,

"DYLAN THOMAS, DELMORE SCHWARTZ,"

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FITZGERALD, FAULKNER--

"FITZGERALD, FAULKNER--"

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THEY ALL VIRTUALLY DRANK THEMSELVES TO DEATH.

"THEY ALL VIRTUALLY DRANK THEMSELVES TO DEATH."

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GONE BEFORE THEIR TIME.

"GONE BEFORE THEIR TIME."

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SO, CAN I GET YOU ANOTHER ROUND?

"SO, CAN I GET YOU ANOTHER ROUND?"

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OH, OHH.

"OH, OHH."

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DIANE'S MOUTH HAS SPRUNG A LEAK AGAIN.

"DIANE'S MOUTH HAS SPRUNG A LEAK AGAIN."

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EXCUSE ME.

"EXCUSE ME."

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YEAH.

"YEAH."

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WE HAVE TO LEAVE. COULD WE GET OUR WAITRESS NOW?

"WE HAVE TO LEAVE. COULD WE GET OUR WAITRESS NOW?"

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SURE.

"SURE."

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Diane: HERE'S MY THEORY

"Diane: HERE'S MY THEORY"

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ON THE RELATIONSHIP BETWEEN ALCOHOL AND GENIUS.

"ON THE RELATIONSHIP BETWEEN ALCOHOL AND GENIUS."

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WRITING IS A VERY LONELY PROFESSION--OH!

"WRITING IS A VERY LONELY PROFESSION--OH!"

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EXCUSE ME A MOMENT.

"EXCUSE ME A MOMENT."

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LET ME GO. CARLA. CARLA, PLEASE. PLEASE.

"LET ME GO. CARLA. CARLA, PLEASE. PLEASE."

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CARLA.

"CARLA."

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HERE YOU GO.

"HERE YOU GO."

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COULD WE GET OUR CHECK?

"COULD WE GET OUR CHECK?"

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CERTAINLY.

"CERTAINLY."

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CARL, I TOLD YOU BEFORE-- KEEP YOUR HANDS OFF DIANE.

"CARL, I TOLD YOU BEFORE-- KEEP YOUR HANDS OFF DIANE."

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I WILL IF YOU WILL.

"I WILL IF YOU WILL."

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CARLA...

"CARLA..."

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I HAVE TWO THINGS TO SAY TO YOU.

"I HAVE TWO THINGS TO SAY TO YOU."

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FIRST, DON'T EVER DO ANYTHING LIKE THAT TO ME AGAIN

"FIRST, DON'T EVER DO ANYTHING LIKE THAT TO ME AGAIN"

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OR YOU WILL REGRET IT FOR THE REST OF YOUR MISERABLE LITTLE LIFE,

"OR YOU WILL REGRET IT FOR THE REST OF YOUR MISERABLE LITTLE LIFE,"

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AND THE SECOND, WOULD THIS A BAD TIME TO ASK A FAVOR?

"AND THE SECOND, WOULD THIS A BAD TIME TO ASK A FAVOR?"

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FOR YOU, THERE'S NO GOOD TIME.

"FOR YOU, THERE'S NO GOOD TIME."

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I WOULD GREATLY APPRECIATE IT

"I WOULD GREATLY APPRECIATE IT"

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IF YOU WOULD SWITCH SCHEDULES WITH ME

"IF YOU WOULD SWITCH SCHEDULES WITH ME"

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SO THAT I COULD HAVE NEXT TUESDAY OFF.

"SO THAT I COULD HAVE NEXT TUESDAY OFF."

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NO!

"NO!"

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OH, CARLA.

"OH, CARLA."

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ORIANA FALLACI IS GIVING A SPEECH AT HARVARD.

"ORIANA FALLACI IS GIVING A SPEECH AT HARVARD."

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LOOK, COME ON, PLEASE.

"LOOK, COME ON, PLEASE."

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YOU'VE GOT TO CHANGE WITH ME.

"YOU'VE GOT TO CHANGE WITH ME."

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I DON'T HAVE TO DO NOTHING.

"I DON'T HAVE TO DO NOTHING."

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BEFORE I DO A FAVOR FOR YOU,

"BEFORE I DO A FAVOR FOR YOU,"

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I WOULD RATHER BE DRAGGED AROUND TOWN BY MY TONGUE.

"I WOULD RATHER BE DRAGGED AROUND TOWN BY MY TONGUE."

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WELL, SINCE YOU DON'T FEEL STRONGLY ABOUT IT,

"WELL, SINCE YOU DON'T FEEL STRONGLY ABOUT IT,"

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MAYBE SAM WOULD LIKE TO DECIDE FOR US.

"MAYBE SAM WOULD LIKE TO DECIDE FOR US."

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HA! I'D RATHER FLIP A COIN.

"HA! I'D RATHER FLIP A COIN."

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AT LEAST THAT WAY I'D HAVE A CHANCE.

"AT LEAST THAT WAY I'D HAVE A CHANCE."

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WHAT IS THAT MEAN SUPPOSED TO MEAN, PLEASE?

"WHAT IS THAT MEAN SUPPOSED TO MEAN, PLEASE?"

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IT MEANS THAT EVER SINCE YOU TWO STARTED...

"IT MEANS THAT EVER SINCE YOU TWO STARTED..."

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YOU KNOW.

"YOU KNOW."

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SHE GETS AWAY WITH THINGS THE REST OF US WOULDN'T.

"SHE GETS AWAY WITH THINGS THE REST OF US WOULDN'T."

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I BEG YOUR PARDON.

"I BEG YOUR PARDON."

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CARLA, MAYBE YOU'RE RIGHT.

"CARLA, MAYBE YOU'RE RIGHT."

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MAYBE I HAVE BEEN TOO EASY ON HER.

"MAYBE I HAVE BEEN TOO EASY ON HER."

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I'LL TAKE HER IN THE BACK

"I'LL TAKE HER IN THE BACK"

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AND TEACH HER SOME OBEDIENCE.

"AND TEACH HER SOME OBEDIENCE."

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I GOT NO FEELINGS ABOUT WHAT YOU 2 DO IN PRIVATE,

"I GOT NO FEELINGS ABOUT WHAT YOU 2 DO IN PRIVATE,"

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NO MATTER HOW DISGUSTING, SICKENING, AND PUTRID IT IS.

"NO MATTER HOW DISGUSTING, SICKENING, AND PUTRID IT IS."

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I JUST DON'T THINK THE REST OF US

"I JUST DON'T THINK THE REST OF US"

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SHOULD SUFFER FOR IT.

"SHOULD SUFFER FOR IT."

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CARLA, ALL I ASKED YOU TO DO WAS SWITCH NIGHTS OFF WITH ME,

"CARLA, ALL I ASKED YOU TO DO WAS SWITCH NIGHTS OFF WITH ME,"

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AND YOU TURN IT INTO A VERBAL LYNCHING.

"AND YOU TURN IT INTO A VERBAL LYNCHING."

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WHAT'S THE BIG DEAL CHANGING ONE NIGHT WITH HER?

"WHAT'S THE BIG DEAL CHANGING ONE NIGHT WITH HER?"

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THERE YOU GO AGAIN TAKING HER SIDE.

"THERE YOU GO AGAIN TAKING HER SIDE."

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HUH, HUH?

"HUH, HUH?"

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OK. ALL RIGHT, ALL RIGHT.

"OK. ALL RIGHT, ALL RIGHT."

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DIANE, WORK TUESDAY NIGHT,

"DIANE, WORK TUESDAY NIGHT,"

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AND LET'S JUST FORGET THIS WHOLE THING, WILL YOU?

"AND LET'S JUST FORGET THIS WHOLE THING, WILL YOU?"

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SAM, YOU OBVIOUSLY DON'T REALIZE

"SAM, YOU OBVIOUSLY DON'T REALIZE"

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HOW IMPORTANT THIS SPEECH IS TO ME.

"HOW IMPORTANT THIS SPEECH IS TO ME."

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IT'S ONLY ONE NIGHT, CARLA.

"IT'S ONLY ONE NIGHT, CARLA."

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HEY, DIANE, I THINK--

"HEY, DIANE, I THINK--"

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CARLA, COME ON--

"CARLA, COME ON--"

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DOES ANYONE WANT TO BUY A BAR?

"DOES ANYONE WANT TO BUY A BAR?"

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ALL RIGHT, SAM, RELAX. IT'S NOT FAIR TO PUT YOU THROUGH THIS.

"ALL RIGHT, SAM, RELAX. IT'S NOT FAIR TO PUT YOU THROUGH THIS."

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CARLA, I'VE CHANGED MY MIND, YOU DON'T HAVE TO SWITCH WITH ME.

"CARLA, I'VE CHANGED MY MIND, YOU DON'T HAVE TO SWITCH WITH ME."

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GOOD, GOOD.

"GOOD, GOOD."

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Sam: OK?

"Sam: OK?"

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I'VE JUST COME

"I'VE JUST COME"

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TO A VERY IMPORTANT DECISION.

"TO A VERY IMPORTANT DECISION."

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WELL, GOOD FOR YOU.

"WELL, GOOD FOR YOU."

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EVENING, EVERYBODY.

"EVENING, EVERYBODY."

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NORM! NORM!

"NORM! NORM!"

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NORMAN.

"NORMAN."

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WOULD YOU LIKE A BEER, NORM?

"WOULD YOU LIKE A BEER, NORM?"

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