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Clips from Cheers - I Call Your Name (S03E03)

I'M SORRY! I'M SORRY!

"I'M SORRY! I'M SORRY!"

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OH, GOD, I'M TERRIBLY SORRY.

"OH, GOD, I'M TERRIBLY SORRY."

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YOU'RE TAKING THIS WORSE THAT I AM.

"YOU'RE TAKING THIS WORSE THAT I AM."

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I JUST WANT TO FIND OUT WHO DID IT.

"I JUST WANT TO FIND OUT WHO DID IT."

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DID WHAT?

"DID WHAT?"

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SOMEONE MADE AN ANONYMOUS PHONE CALL TO THE SUPERVISOR AND SQUEALED ON ME

"SOMEONE MADE AN ANONYMOUS PHONE CALL TO THE SUPERVISOR AND SQUEALED ON ME"

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FOR TAKING A PERFUME SAMPLE OUT OF A MAGAZINE.

"FOR TAKING A PERFUME SAMPLE OUT OF A MAGAZINE."

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OH! HE FIRED YOU FOR THAT?

"OH! HE FIRED YOU FOR THAT?"

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WHAT KIND OF A CHICKEN OUTFIT

"WHAT KIND OF A CHICKEN OUTFIT"

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DO WE WORK FOR?

"DO WE WORK FOR?"

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HEY, LEWIS, YOU SMELL DIVINE.

"HEY, LEWIS, YOU SMELL DIVINE."

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WHAT'S THAT YOU'RE WEARING?

"WHAT'S THAT YOU'RE WEARING?"

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GIORGIO FOR MEN.

"GIORGIO FOR MEN."

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HEY, WHO CAN BLAME YOU FOR TAKING IT?

"HEY, WHO CAN BLAME YOU FOR TAKING IT?"

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IT'S PERFECT FOR YOU.

"IT'S PERFECT FOR YOU."

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WELL, SORRY I CAN'T HELP YOU OUT THERE, LEWIS.

"WELL, SORRY I CAN'T HELP YOU OUT THERE, LEWIS."

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HEY, YOU CAN.

"HEY, YOU CAN."

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YOU KNOW HOW YOU'RE ALWAYS STICKING YOUR NOSE

"YOU KNOW HOW YOU'RE ALWAYS STICKING YOUR NOSE"

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IN OTHER PEOPLE'S BUSINESS DOWN AT THE POST OFFICE.

"IN OTHER PEOPLE'S BUSINESS DOWN AT THE POST OFFICE."

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COME ON, YOU'RE NOSEY! THAT'S ME!

"COME ON, YOU'RE NOSEY! THAT'S ME!"

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I WANT TO FIND OUT AND I WANT TO FIND OUT TOMORROW.

"I WANT TO FIND OUT AND I WANT TO FIND OUT TOMORROW."

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OK, YOU GOT IT, PAL.

"OK, YOU GOT IT, PAL."

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BE HERE AT 7:00 AND DON'T BE LATE.

"BE HERE AT 7:00 AND DON'T BE LATE."

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OK. WELL.

"OK. WELL."

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YOU JUST BE HERE AT 7:00.

"YOU JUST BE HERE AT 7:00."

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I'LL HAVE THAT INFORMATION.

"I'LL HAVE THAT INFORMATION."

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I KNOW YOU WILL.

"I KNOW YOU WILL."

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YEAH. UH, LEWIS...

"YEAH. UH, LEWIS..."

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THANKS FOR THINKING OF ME.

"THANKS FOR THINKING OF ME."

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OH! TOMORROW I DIE.

"OH! TOMORROW I DIE."

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OHH...

"OHH..."

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COME ON, NOW.

"COME ON, NOW."

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OH, THE GUY IS GOING TO BEAT THE LIVING HELL OUT OF ME.

"OH, THE GUY IS GOING TO BEAT THE LIVING HELL OUT OF ME."

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THERE'S NO USE SAYING I DON'T DESERVE IT, THOUGH, HUH?

"THERE'S NO USE SAYING I DON'T DESERVE IT, THOUGH, HUH?"

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NOBODY DID.

"NOBODY DID."

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THANKS, CARLA.

"THANKS, CARLA."

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COACH, LET'S GO HOME. YEAH.

"COACH, LET'S GO HOME. YEAH."

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CARLA, CAN I PLAY MY FRENCH LANGUAGE TAPES

"CARLA, CAN I PLAY MY FRENCH LANGUAGE TAPES"

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ON THE WAY HOME, PLEASE?

"ON THE WAY HOME, PLEASE?"

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NO. I HEAR THEM EVERY NIGHT, AND I'M SICK OF IT.

"NO. I HEAR THEM EVERY NIGHT, AND I'M SICK OF IT."

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BESIDES, THEY'RE NOT DOING ANY GOOD.

"BESIDES, THEY'RE NOT DOING ANY GOOD."

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OH, YES, THEY ARE.

"OH, YES, THEY ARE."

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OH, YEAH? SAY "HOW ARE YOU?" IN FRENCH.

"OH, YEAH? SAY "HOW ARE YOU?" IN FRENCH."

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[WITH FRENCH ACCENT] HOW ARE YOU TODAY IN FRENCH.

"[WITH FRENCH ACCENT] HOW ARE YOU TODAY IN FRENCH."

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I REST MY CASE.

"I REST MY CASE."

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[COACH, WITH ACCENT] I REST MY CASE.

"[COACH, WITH ACCENT] I REST MY CASE."

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KNOCK IT OFF.

"KNOCK IT OFF."

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[COACH, WITH ACCENT] KNOCK IT OFF.

"[COACH, WITH ACCENT] KNOCK IT OFF."

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[KNOCK ON DOOR]

"[KNOCK ON DOOR]"

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OH, FRASIER.

"OH, FRASIER."

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HI, SAM.

"HI, SAM."

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HI, FRASIER. DIANE LEFT ABOUT 15 MINUTES AGO.

"HI, FRASIER. DIANE LEFT ABOUT 15 MINUTES AGO."

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OH, DARN. WELL, I GUESS I'LL HAVE TO GO TO HER HOUSE TO SHOOT THE BREEZE.

"OH, DARN. WELL, I GUESS I'LL HAVE TO GO TO HER HOUSE TO SHOOT THE BREEZE."

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WITH DIANE, IT'S MORE LIKE A MONSOON.

"WITH DIANE, IT'S MORE LIKE A MONSOON."

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HA HA HA HA!

"HA HA HA HA!"

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YES, HER BREEZE IS LIKE A MONSOON.

"YES, HER BREEZE IS LIKE A MONSOON."

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GOOD NIGHT.

"GOOD NIGHT."

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AHEM.

"AHEM."

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YOU WANT TO COME IN, HAVE A BEER?

"YOU WANT TO COME IN, HAVE A BEER?"

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WELL, I WOULDN'T WANT TO IMPOSE.

"WELL, I WOULDN'T WANT TO IMPOSE."

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OK. GOOD NIGHT.

"OK. GOOD NIGHT."

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HA HA HA!

"HA HA HA!"

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THIS IS FUN.

"THIS IS FUN."

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I GUESS I'VE GOT A LITTLE TIME

"I GUESS I'VE GOT A LITTLE TIME"

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FOR SOME BARROOM CHATTER.

"FOR SOME BARROOM CHATTER."

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MIGHT EVEN DO THE OLD BOY SOME GOOD.

"MIGHT EVEN DO THE OLD BOY SOME GOOD."

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MAYBE.

"MAYBE."

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WELL, I'LL HAVE A TANKARD

"WELL, I'LL HAVE A TANKARD"

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OF YOUR FINEST LAGER.

"OF YOUR FINEST LAGER."

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WELL.

"WELL."

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I UNDERSTAND THE LOCAL BOSTON RED SOX BASEBALL FRANCHISE

"I UNDERSTAND THE LOCAL BOSTON RED SOX BASEBALL FRANCHISE"

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HAS A HERCULEAN TASK OF IT

"HAS A HERCULEAN TASK OF IT"

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TO QUALIFY FOR THE POSTSEASON TOURNAMENT.

"TO QUALIFY FOR THE POSTSEASON TOURNAMENT."

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THEY REALLY STINK THIS YEAR.

"THEY REALLY STINK THIS YEAR."

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STINK? INTERESTING THEORY.

"STINK? INTERESTING THEORY."

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WHILE WE'RE ON THE SUBJECT OF BOSTON AND THE WORLD

"WHILE WE'RE ON THE SUBJECT OF BOSTON AND THE WORLD"

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AND ALL OF ITS PEOPLE,

"AND ALL OF ITS PEOPLE,"

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I HAVE THIS PATIENT. LET'S CALL HIM--

"I HAVE THIS PATIENT. LET'S CALL HIM--"

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GIVE HIM ANY OLD NAME--THOR.

"GIVE HIM ANY OLD NAME--THOR."

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FOR THE FIRST TIME IN MY CAREER AS A PSYCHIATRIST,

"FOR THE FIRST TIME IN MY CAREER AS A PSYCHIATRIST,"

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I DON'T KNOW HOW TO DEAL WITH HIS PROBLEM.

"I DON'T KNOW HOW TO DEAL WITH HIS PROBLEM."

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BUT IT OCCURS TO ME THAT YOU MIGHT.

"BUT IT OCCURS TO ME THAT YOU MIGHT."

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YOU WANT MY OPINION ON ONE OF YOUR PATIENTS?

"YOU WANT MY OPINION ON ONE OF YOUR PATIENTS?"

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SAM, BELIEVE IT OR NOT, PSYCHIATRISTS DO VALUE INPUT

"SAM, BELIEVE IT OR NOT, PSYCHIATRISTS DO VALUE INPUT"

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FROM OUTSIDE THEIR PROFESSION.

"FROM OUTSIDE THEIR PROFESSION."

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I'D LIKE THE BENEFIT OF YOUR EXPERIENCE.

"I'D LIKE THE BENEFIT OF YOUR EXPERIENCE."

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YOU KNOW WOMEN.

"YOU KNOW WOMEN."

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I MEAN, YOUR SEXUAL EXPLOITS COULD BE THOUGHT OF

"I MEAN, YOUR SEXUAL EXPLOITS COULD BE THOUGHT OF"

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AS A MAJESTIC, PANORAMIC MURAL.

"AS A MAJESTIC, PANORAMIC MURAL."

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AND THOR'S?

"AND THOR'S?"

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A SILLY LITTLE DOODLE.

"A SILLY LITTLE DOODLE."

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WELL, YEAH. I MEAN, WHAT THE HELL?

"WELL, YEAH. I MEAN, WHAT THE HELL?"

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WHAT'S HIS, UH... WHAT'S HIS PROBLEM?

"WHAT'S HIS, UH... WHAT'S HIS PROBLEM?"

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WELL...

"WELL..."

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THOR'S GIRLFRIEND--

"THOR'S GIRLFRIEND--"

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LET'S CALL HER...

"LET'S CALL HER..."

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ELECTRA.

"ELECTRA."

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CRIED OUT ANOTHER MAN'S NAME

"CRIED OUT ANOTHER MAN'S NAME"

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DURING THE ACT OF LOVE.

"DURING THE ACT OF LOVE."

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OH, THOR.

"OH, THOR."

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OUCH!

"OUCH!"

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PRECISELY. SO, SAM, TELL ME,

"PRECISELY. SO, SAM, TELL ME,"

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YOU'VE BEEN WITH A LOT OF WOMEN.

"YOU'VE BEEN WITH A LOT OF WOMEN."

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I MEAN, WHEN YOU WERE WITH ONE OF THEM,

"I MEAN, WHEN YOU WERE WITH ONE OF THEM,"

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DID SHE EVER CALL OUT ANOTHER MAN'S NAME?

"DID SHE EVER CALL OUT ANOTHER MAN'S NAME?"

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WELL, I DON'T THINK SO,

"WELL, I DON'T THINK SO,"

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BUT THEN, WHO LISTENS?

"BUT THEN, WHO LISTENS?"

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USUALLY, I'VE GOT THE STEREO TURNED UP

"USUALLY, I'VE GOT THE STEREO TURNED UP"

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AND OTHER THINGS ON MY MIND.

"AND OTHER THINGS ON MY MIND."

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TELL ME, UH...

"TELL ME, UH..."

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WHOSE NAME DID ELECTRA CALL OUT?

"WHOSE NAME DID ELECTRA CALL OUT?"

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AN OLD BOYFRIEND'S.

"AN OLD BOYFRIEND'S."

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OH. DOUBLE OUCH.

"OH. DOUBLE OUCH."

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YES.

"YES."

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AND ALTHOUGH THEY'VE DECIDED

"AND ALTHOUGH THEY'VE DECIDED"

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THAT IT MEANS ABSOLUTELY NOTHING,

"THAT IT MEANS ABSOLUTELY NOTHING,"

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WHICH IT DOESN'T,

"WHICH IT DOESN'T,"

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THOR DOESN'T SEEM TO BE ABLE TO GET OVER IT.

"THOR DOESN'T SEEM TO BE ABLE TO GET OVER IT."

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SO TELL ME, SAM. I MEAN, IF THOR CAME TO YOU,

"SO TELL ME, SAM. I MEAN, IF THOR CAME TO YOU,"

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WHAT WOULD YOU TELL HIM?

"WHAT WOULD YOU TELL HIM?"

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