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Clips from Moonlighting (1985) - Portrait of Maddie (S02E02)

"It has been an extremely productive one."
Moonlighting (1985)
"--has been to brainstorm."
Moonlighting (1985)
"-To what-storm? -Funny. Hurtful, but very funny."
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"Maddie, the question we have been postulating and hypothesizing is:"
Moonlighting (1985)
""What are we gonna do with all that money?""
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"What money?"
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"What a kidder. What money? You know what money. Our money."
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"The profit statement. The plus column. The bottom line."
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"-David. -We got Miss DiPesto over here..."
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"-Oh, my. -O'Neal is scouring the classifieds."
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"...has agreed to cruise for a garage sale. Let me have one!"
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"May I see you in my office for a moment?"
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"It's okay. We're her first meeting."
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"You asked me to come in here."
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"Yes, I did. Yes, I did. I spent the money."
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"You spent the money?"
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"All of it?"
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"Well, okay."
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"It's your store, your money."
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"-What'd you get? -Excuse me?"
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"What did you get?"
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"I'm sure whatever it is, it's for the good of the company."
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"What did you blow it on? Stocks? Bonds? Elvis memorabilia?"
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"Well, I believe I made a sound and prudent investment."
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"-In what? -l invested it..."
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"...in art."
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"Could you turn up the volume?"
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"-Art. -Did you say "art"?"
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"Art."
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"-Could you be more specific? -I bought a painting."
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"-A painting? -A painting I'm sure..."
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"...will increase in value with the years."
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"-I see. A painting of what? -A painting of what?"
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"Of a thing."
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"-Could you be a little more specific? -A pretty thing."
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"An animal thing, a vegetable thing or a mineral thing?"
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"-Animal thing. -Little cat, big eyes?"
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"-No. -A boy and his dog?"
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"-What difference does it make? -A blond and her vanity."
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"It's my money, Addison. And I can do anything I want with it."
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"Let me get this. One of the world's most-photographed women..."
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"...spends the only money she ever made--"
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"-I don't have to talk to you. -On another picture of herself!"
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"-Out of my way. -Maddie, will you just tell me why?"
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"I don't know why. All I know is he chose to paint me."
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"Me, David, not a landscape, not a barn, not a bowl of fruit."
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"-Let's not hold that against him. -He spent weeks, months painting it."
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"The last moments of his life, finishing it."
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"I can't let someone else buy it. Put it in their den or over their bar."
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"Surely you can understand that."
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"Well, I don't really care if you can understand it or not."
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"The point is that the money belongs to the company."
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"And the company belongs to me."
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"And I can choose to do anything I want with it."
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"Or I may choose to do nothing with it."
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"Or I may choose to flush it down the executive commode."
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"But whatever I choose, it'll be my choice. Is that clear?"
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"Good."
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"Then this conversation is over."
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"-Not quite. I have one more question. -What?"
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"Next windfall, can I stick a statue of myself in the lobby?"
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"Stick it, Addison!"
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"Get away from that door!"
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"I have finished this conversation!"
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"You asked for it."
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"Excuse me."
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"Miss Hayes, this is Charles Wright."
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"-Forgive me for barging in-- -Excuse me. Charles Wright?"
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"-I'm Phillip Wright's brother. -Oh, my goodness."
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"Won't you come in?"
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"Please."
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"I'm so sorry to hear about your brother."
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"I really don't know why I'm here."
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"I got home late last night..."
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"...as soon as I got the wire."
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"I've been out of the country for a while."
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"I went to the gallery."
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"...Charlie's Treasure."
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"I guess you figured out by now that..."
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"...I'm Charlie."
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"You fight with your brother, he paints a picture for you."
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"Philly and I hadn't spoken to each other for a long time."
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"Would you like to see it? The painting?"
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"-Is it here? -Well, no."
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"It's at my house."
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"But...."
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"-I want you to see it. -You don't even know me."
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"Mr. Wright and I will be at my house."
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"Yes, Miss Hayes."
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"He was in there for a minute. How did he do that?"
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"I haven't hung it yet."
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"I haven't exactly decided where I want it."
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"My God, Phillip."
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"You never met him. You never sat for him."
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"My God, Phillip."
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"You've been very kind."
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"-Where are you going? -Excuse me?"
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"I feel badly."
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"I know what you must be going through."
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"If you'd like some more time with the painting by yourself, feel free."
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"No, no. That's okay. It's not that I don't appreciate the...."
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"It's harder knowing that I'll probably never see it again."
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"You fight with somebody."
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"...one day, I'll have to attend to this."
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"...tirying to find American baseball scores in Italian newspapers..."
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"Upside is that it's one last thing to attend to."
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"Downside is that...."
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"-I thought your voice was lower. -Excuse me?"
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"In those commercials you never spoke. So I gave you my own voice."
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"And it was lower. Huskier."
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"You also were not this nice."
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"You gave a lot of thought to those commercials."
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"It wasn't the commercials."
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"It was you."
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"And I wasn't the only one."
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"I remember when I was 20, Philly was 19..."
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"...we decided to do the starving-student thing in Europe..."
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"...with hostels, French bread, the backpacks."
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"And I remember one night we were in Paris--"
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"Cold as hell."
Moonlighting (1985)
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