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Clips from Inception (2010)

"Why are we going to Paris?"
Inception (2010)
"We're gonna need a new architect."
Inception (2010)
"Extradition between France and the United States..."
Inception (2010)
"...is a bureaucratic nightmare, you know that."
Inception (2010)
"Look, I, uh, brought these for you to give to the kids when you have a chance."
Inception (2010)
"I'm just doing what I know. I'm doing what you taught me."
Inception (2010)
"I never taught you to be a thief."
Inception (2010)
"But after what happened..."
Inception (2010)
"...there weren't a whole lot of legitimate ways for me to use that skill."
Inception (2010)
"What are you doing here, Dom?"
Inception (2010)
"But I need your help."
Inception (2010)
"...things that never existed..."
Inception (2010)
"They don't actually come into the dream."
Inception (2010)
"Mal won't let me."
Inception (2010)
"Come back to reality, Dom."
Inception (2010)
"-Please. -Reality."
Inception (2010)
"...they're waiting for their father to come back home. That's their reality."
Inception (2010)
"I need an architect who's as good as I was."
Inception (2010)
"If you have a few moments, Mr. Cobb has a job offer he'd like to discuss with you."
Inception (2010)
"Not exactly."
Inception (2010)
"I have a test for you."
Inception (2010)
"You're not gonna tell me anything first?"
Inception (2010)
"Before I describe the job. I have to know you can do it."
Inception (2010)
"Stop."
Inception (2010)
"You're gonna have to do better than that."
Inception (2010)
"COBB: They say we only use a fraction of our brain's true potential."
Inception (2010)
"Such as?"
Inception (2010)
"Yeah, like I'm discovering it."
Inception (2010)
"Now, in a dream, our mind continuously does this."
Inception (2010)
"We create and perceive our world simultaneously."
Inception (2010)
"That allows us to get right in the middle of that process."
Inception (2010)
"-How? -By taking over the creating part."
Inception (2010)
"Now, this is where I need you."
Inception (2010)
"It's only when we wake up that we realize something was actually strange."
Inception (2010)
"Let me ask you a question."
Inception (2010)
"You always wind up right in the middle of what's going on."
Inception (2010)
"Think about it. Ariadne. How did you get here?"
Inception (2010)
"You're in the middle of the workshop, sleeping."
Inception (2010)
"This is your first lesson in shared dreaming. Stay calm."
Inception (2010)
"[CUP RATTLING]"
Inception (2010)
"[RUMBLING]"
Inception (2010)
"[''NON, JE NE REGRETTE RIEN'' PLAYING]"
Inception (2010)
"COBB: Because it's never just a dream, is it?"
Inception (2010)
"And a face full of glass hurts like hell. When you're in it, it feels real."
Inception (2010)
"ARTHUR: That's why the military developed dream sharing."
Inception (2010)
"...and then wake up."
Inception (2010)
"ARIADNE: How did architects become involved?"
Inception (2010)
"Why don't you give us another five minutes?"
Inception (2010)
"[MUSIC STOPS]"
Inception (2010)
"What--? We were talking for, like, at least an hour."
Inception (2010)
"...therefore time seems to feel more slow."
Inception (2010)
"Five minutes in the real world gives you an hour in the dream."
Inception (2010)
"COBB: You've got the basic layout. Bookstore, cafe."
Inception (2010)
"ARIADNE: Who are the people? -Projections of my subconscious."
Inception (2010)
"You can literally talk to my subconscious."
Inception (2010)
"That's one of the ways we extract information from the subject."
Inception (2010)
"By creating something secure, like a bank vault or a jail."
Inception (2010)
"-You understand? -Then you break in and steal it?"
Inception (2010)
"Well...."
Inception (2010)
"I guess I thought that the dream space would be all about the visual..."
Inception (2010)
"[RUMBLING THEN METAL GROANING]"
Inception (2010)
"ARIADNE: Why are they all looking at me?"
Inception (2010)
"The more you change things, the quicker the projections start to converge on you."
Inception (2010)
"Converge?"
Inception (2010)
"They sense the foreign nature of the dreamer."
Inception (2010)
"It's my subconscious. Remember? I can't control it."
Inception (2010)
"Yeah. I cross it every day to get to the college."
Inception (2010)
"Never re-create places from your memory. Always imagine new places."
Inception (2010)
"Only use details. A streetlamp or a phone booth. Never entire areas."
Inception (2010)
"-Why not? -Building a dream from your memory..."
Inception (2010)
"...is the easiest way to lose your grasp on what's real and what is a dream."
Inception (2010)
"This has nothing to do with me, understand?"
Inception (2010)
"-Let me go! Let me go! -Mal!"
Inception (2010)
"-Mal! -Cobb! Wake me up!"
Inception (2010)
"-Mal, no! No! -Wake me up!"
Inception (2010)
"Hey, hey, hey. Look at me. You're okay. You're okay."
Inception (2010)
"-Hey. -Why wouldn't I wake up?"
Inception (2010)
"You can't wake up from within the dream unless you die."
Inception (2010)
"-She'll need a totem. ARIADNE: What?"
Inception (2010)
"-She's a real charmer. -Oh."
Inception (2010)
"-I see you met Mrs. Cobb. -She's his wife?"
Inception (2010)
"Yeah. So a totem. You need a small object, potentially heavy."
Inception (2010)
"ARIADNE: Like a coin? ARTHUR: No."
Inception (2010)
"It needs to be more unique than that. Like, this is a loaded die."
Inception (2010)
"See, only I know the balance and the weight of this particular loaded die."
Inception (2010)
"That way, when you look at your totem..."
Inception (2010)
"...but Cobb has some serious problems that he's tried to bury down there."
Inception (2010)
"And I'm not about to just open my mind to someone like that."
Inception (2010)
"When she comes back, you're gonna have her building mazes."
Inception (2010)
"Eames? No, he's in Mombasa. It's Cobol's back yard."
Inception (2010)
"It's a necessary risk."
Inception (2010)
"Rub them together all you want, they're not gonna breed."
Inception (2010)
"COBB: I'm gonna get you a drink."
Inception (2010)
"You're buying."
Inception (2010)
"-Your spelling hasn't improved. -Piss off."
Inception (2010)
"-It's versatile. -Good."
Inception (2010)
"Now, before you bother telling me it's impossible, let me--"
Inception (2010)
"Interesting. Because Arthur keeps telling me it can't be done."
Inception (2010)
"Hmm, Arthur. You still working with that stick in the mud?"
Inception (2010)
"He is good at what he does, right?"
Inception (2010)
"Oh, he's the best, but he has no imagination."
Inception (2010)
"Not like you."
Inception (2010)
"Listen, if you're gonna perform inception, you need imagination."
Inception (2010)
"Let me ask you something. Have you done it before?"
Inception (2010)
"You need the simplest version of the idea..."
Inception (2010)
"...in order for it to grow naturally in your subject's mind. It's a subtle art."
Inception (2010)
"So, what is this idea that you need to plant?"
Inception (2010)
"We need the heir of a major corporation to dissolve his father's empire."
Inception (2010)
"...and anti-monopolistic sentiments and so forth."
Inception (2010)
"It's really at the mercy of your subject's prejudice, you see?"
Inception (2010)
"What you have to do is start at the absolute basic."
Inception (2010)
"Which is what?"
Inception (2010)
"The relationship with the father."
Inception (2010)
"-So you have a chemist? -No. not yet."
Inception (2010)
"Right. Okay, well, there's a man here, Yusuf."
Inception (2010)
"He, uh, formulates his own versions of the compounds."
Inception (2010)
"Once you've lost your tail. The man at the bar."
Inception (2010)
"Run interference. I'll meet you downstairs in the bar in, say, uh, half an hour?"
Inception (2010)
"-Back here? -This is the last place they'd suspect."
Inception (2010)
"[CHUCKLES]"
Inception (2010)
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