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Clips from Cheers - I'll Be Seeing You: Part 1 (S02E02)

SHE SAID SHE WOULDN'T CALL, BUT SHE'LL CALL.

"SHE SAID SHE WOULDN'T CALL, BUT SHE'LL CALL."

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THERE WAS A TIME WHEN SHE WOULDN'T HAVE CALLED,

"THERE WAS A TIME WHEN SHE WOULDN'T HAVE CALLED,"

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BUT NOW, SHE'LL CALL.

"BUT NOW, SHE'LL CALL."

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YOU DON'T TRUST DIANE VERY MUCH.

"YOU DON'T TRUST DIANE VERY MUCH."

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COACH, IT'S GOTTEN TO THE POINT

"COACH, IT'S GOTTEN TO THE POINT"

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WHERE I CAN'T TRUST A THING THAT WOMAN SAYS.

"WHERE I CAN'T TRUST A THING THAT WOMAN SAYS."

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I KNOW WHAT YOU MEAN.

"I KNOW WHAT YOU MEAN."

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ONCE THE TRUST GOES OUT OF A RELATIONSHIP,

"ONCE THE TRUST GOES OUT OF A RELATIONSHIP,"

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IT'S REALLY NO FUN LYING TO THEM ANYMORE.

"IT'S REALLY NO FUN LYING TO THEM ANYMORE."

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IT'S NOT MY FAULT.

"IT'S NOT MY FAULT."

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YOU KNOW, SHE ALWAYS STARTS THINGS--

"YOU KNOW, SHE ALWAYS STARTS THINGS--"

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TELLING ME HOW TO WALK,

"TELLING ME HOW TO WALK,"

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HOW TO ACT,

"HOW TO ACT,"

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HOW TO THINK.

"HOW TO THINK."

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YEAH. YOU'VE BEEN DOING THOSE THINGS

"YEAH. YOU'VE BEEN DOING THOSE THINGS"

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SINCE YOU WERE WHAT--14?

"SINCE YOU WERE WHAT--14?"

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YOU KNOW, IT'S GOTTEN TO THE POINT

"YOU KNOW, IT'S GOTTEN TO THE POINT"

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WHERE I START DOING THINGS I DON'T EVEN WANT TO DO,

"WHERE I START DOING THINGS I DON'T EVEN WANT TO DO,"

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BUT JUST KNOWING IT'LL TICK HER OFF, I GOT TO DO THEM.

"BUT JUST KNOWING IT'LL TICK HER OFF, I GOT TO DO THEM."

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THE MORE I THINK IT'S GONNA DRIVE HER CRAZIER,

"THE MORE I THINK IT'S GONNA DRIVE HER CRAZIER,"

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THE HAPPIER I GET.

"THE HAPPIER I GET."

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IS THAT WEIRD?

"IS THAT WEIRD?"

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NO, NO. WE KNOW THE WOMAN.

"NO, NO. WE KNOW THE WOMAN."

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SAMMY, I THINK IT'S TIME FOR A ROMANTIC GESTURE,

"SAMMY, I THINK IT'S TIME FOR A ROMANTIC GESTURE,"

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LIKE A LITTLE TRINKET TO SMOOTH THE WATER.

"LIKE A LITTLE TRINKET TO SMOOTH THE WATER."

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NO, I'VE DONE ALL THAT STUFF BEFORE.

"NO, I'VE DONE ALL THAT STUFF BEFORE."

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I TELL YA, IT'S GONNA TAKE A LOT MORE

"I TELL YA, IT'S GONNA TAKE A LOT MORE"

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THAN MUSIC AND A CANDLELIT DINNER

"THAN MUSIC AND A CANDLELIT DINNER"

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TO SHUT HER UP THIS TIME.

"TO SHUT HER UP THIS TIME."

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SAM, LISTEN...

"SAM, LISTEN..."

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I'M TELLING YOU, IT'S TIME FOR YOU TO TAKE A BIG STEP.

"I'M TELLING YOU, IT'S TIME FOR YOU TO TAKE A BIG STEP."

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NOW, I WOULDN'T SAY THIS ORDINARILY TO ANYONE

"NOW, I WOULDN'T SAY THIS ORDINARILY TO ANYONE"

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IN A MILLION YEARS.

"IN A MILLION YEARS."

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BUT YOU KNOW WHAT MIGHT HELP?

"BUT YOU KNOW WHAT MIGHT HELP?"

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IF YOU ACTUALLY HAD PHYSICAL RELATIONS WITH HER.

"IF YOU ACTUALLY HAD PHYSICAL RELATIONS WITH HER."

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I--I DON'T THINK SO, COACH.

"I--I DON'T THINK SO, COACH."

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I THINK WE'RE BOTH GOING TO WAIT

"I THINK WE'RE BOTH GOING TO WAIT"

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UNTIL WE'RE SURE HOW WE FEEL ABOUT EACH OTHER.

"UNTIL WE'RE SURE HOW WE FEEL ABOUT EACH OTHER."

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YOU'RE A GOOD OLD-FASHIONED GUY, SAM.

"YOU'RE A GOOD OLD-FASHIONED GUY, SAM."

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ALL RIGHT, YOU WANT TO HEAR

"ALL RIGHT, YOU WANT TO HEAR"

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THE MOST ROMANTIC THING I HEARD A GUY DO IN A LONG TIME?

"THE MOST ROMANTIC THING I HEARD A GUY DO IN A LONG TIME?"

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WHAT?

"WHAT?"

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WELL, I HEARD THAT SALLY GOT MAD AT BURT

"WELL, I HEARD THAT SALLY GOT MAD AT BURT"

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BECAUSE SHE HEARD

"BECAUSE SHE HEARD"

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HE WAS GOING TO DO ANOTHER MOVIE WITH LONI.

"HE WAS GOING TO DO ANOTHER MOVIE WITH LONI."

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SO BURT, TO MAKE UP FOR IT,

"SO BURT, TO MAKE UP FOR IT,"

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HAD SOMEONE PAINT A PORTRAIT OF SALLY.

"HAD SOMEONE PAINT A PORTRAIT OF SALLY."

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THANK YOU VERY MUCH

"THANK YOU VERY MUCH"

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FOR THAT ENLIGHTENMENT, CARLA.

"FOR THAT ENLIGHTENMENT, CARLA."

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NOW, WE CAN KNOCK OFF WITH THE FAN MAGAZINE DRIVEL.

"NOW, WE CAN KNOCK OFF WITH THE FAN MAGAZINE DRIVEL."

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I READ YESTERDAY

"I READ YESTERDAY"

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THAT BURT AND SALLY ARE HEADED FOR THE ALTAR.

"THAT BURT AND SALLY ARE HEADED FOR THE ALTAR."

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YOU KNOW, THAT'S NOT SUCH A BAD IDEA, HAVING A PORTRAIT DONE.

"YOU KNOW, THAT'S NOT SUCH A BAD IDEA, HAVING A PORTRAIT DONE."

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I MEAN, SHE'D LIKE THAT KIND OF THING.

"I MEAN, SHE'D LIKE THAT KIND OF THING."

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REFILL, SAM.

"REFILL, SAM."

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YEAH, IT SHOWS SOME THINKING.

"YEAH, IT SHOWS SOME THINKING."

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IT'S SENSITIVE. IT'S PERSONAL.

"IT'S SENSITIVE. IT'S PERSONAL."

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THE ALTAR?

"THE ALTAR?"

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HOW CAN BURT DO THAT

"HOW CAN BURT DO THAT"

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WITH THE TERRIBLE SECRET HE AND DINAH STILL SHARE?

"WITH THE TERRIBLE SECRET HE AND DINAH STILL SHARE?"

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HEY, WHOA. DO YOU MIND HERE? CARLA, COME ON.

"HEY, WHOA. DO YOU MIND HERE? CARLA, COME ON."

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NOW, WHAT KIND OF ARTIST

"NOW, WHAT KIND OF ARTIST"

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SHOULD I GET TO PAINT DIANE?

"SHOULD I GET TO PAINT DIANE?"

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BETTER GET A BAD ONE. WHY?

"BETTER GET A BAD ONE. WHY?"

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YOU DON'T WANT IT TO LOOK LIKE HER, DO YOU?

"YOU DON'T WANT IT TO LOOK LIKE HER, DO YOU?"

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YOU KNOW, YOUR WISECRACKS ALL THE TIME

"YOU KNOW, YOUR WISECRACKS ALL THE TIME"

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DON'T MAKE THINGS ANY EASIER.

"DON'T MAKE THINGS ANY EASIER."

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COME ON, SAM. YOU KNOW MY PHILOSOPHY.

"COME ON, SAM. YOU KNOW MY PHILOSOPHY."

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IF YOU CAN'T SAY SOMETHING NICE,

"IF YOU CAN'T SAY SOMETHING NICE,"

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SAY IT ABOUT DIANE.

"SAY IT ABOUT DIANE."

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COME ON, HELP ME OUT HERE.

"COME ON, HELP ME OUT HERE."

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W-WHERE DO YOU GO TO FIND AN ARTIST?

"W-WHERE DO YOU GO TO FIND AN ARTIST?"

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WHAT, DO YOU GO TO A STORE OR SOMETHING?

"WHAT, DO YOU GO TO A STORE OR SOMETHING?"

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STORE. COME ON, SAM.

"STORE. COME ON, SAM."

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WE'RE NOT TALKING ABOUT TV DINNERS HERE.

"WE'RE NOT TALKING ABOUT TV DINNERS HERE."

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WE'RE TALKING ABOUT ARTISTS.

"WE'RE TALKING ABOUT ARTISTS."

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YOU GOT TO GO TO WHERE THE ARTISTS ARE,

"YOU GOT TO GO TO WHERE THE ARTISTS ARE,"

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YOU KNOW, TO AN ARTIST...PLACE.

"YOU KNOW, TO AN ARTIST...PLACE."

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WHAT'S THAT TERRIBLE SECRET BURT AND DINAH SHARE?

"WHAT'S THAT TERRIBLE SECRET BURT AND DINAH SHARE?"

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I CAN'T TELL YOU.

"I CAN'T TELL YOU."

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IN A READER'S POLL, I VOTED THEY SHOULD HAVE MORE PRIVACY.

"IN A READER'S POLL, I VOTED THEY SHOULD HAVE MORE PRIVACY."

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HEY, LISTEN, FELLAS, SAM,

"HEY, LISTEN, FELLAS, SAM,"

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CAN I PUT THIS ALL IN CHECK FOR A MINUTE?

"CAN I PUT THIS ALL IN CHECK FOR A MINUTE?"

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NOW, I HAPPEN TO BE A WONDERFUL ARTIST.

"NOW, I HAPPEN TO BE A WONDERFUL ARTIST."

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I'D JUST LOVE TO DO A PICTURE OF DIANE.

"I'D JUST LOVE TO DO A PICTURE OF DIANE."

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I'D CONSIDER IT A CHALLENGE AND I'D WELCOME IT.

"I'D CONSIDER IT A CHALLENGE AND I'D WELCOME IT."

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YOU NEVER TOLD ME ABOUT THIS TALENT.

"YOU NEVER TOLD ME ABOUT THIS TALENT."

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SURE. HERE. LET ME SHOW YOU.

"SURE. HERE. LET ME SHOW YOU."

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NORM, JUST HOLD IT LIKE THAT, PLEASE.

"NORM, JUST HOLD IT LIKE THAT, PLEASE."

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STINKS.

"STINKS."

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YEAH, IT DOES.

"YEAH, IT DOES."

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OOH, I JUST REMEMBERED.

"OOH, I JUST REMEMBERED."

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IT WAS MY BROTHER THAT HAD ALL THE ARTISTIC TALENT.

"IT WAS MY BROTHER THAT HAD ALL THE ARTISTIC TALENT."

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YEAH, NOW I REMEMBER.

"YEAH, NOW I REMEMBER."

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MY TALENT IS EATING THINGS THAT AREN'T FOOD.

"MY TALENT IS EATING THINGS THAT AREN'T FOOD."

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CAN WE GET BACK TO THIS ART THING, PLEASE?

"CAN WE GET BACK TO THIS ART THING, PLEASE?"

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OH, YEAH, I DELIVER MAIL TO AN ARTIST.

"OH, YEAH, I DELIVER MAIL TO AN ARTIST."

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HE'S VERY SUCCESSFUL ARTIST, TOO.

"HE'S VERY SUCCESSFUL ARTIST, TOO."

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I'LL TELL YOU HOW SUCCESSFUL HE IS.

"I'LL TELL YOU HOW SUCCESSFUL HE IS."

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YESTERDAY HE RECEIVED A LETTER,

"YESTERDAY HE RECEIVED A LETTER,"

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HAD A CHECK IN IT FOR $25,853

"HAD A CHECK IN IT FOR $25,853"

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FROM A GUY NAMED SWEENEY.

"FROM A GUY NAMED SWEENEY."

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HOW DO YOU KNOW WHAT WAS ON THE CHECK?

"HOW DO YOU KNOW WHAT WAS ON THE CHECK?"

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WHEN I WAS PUTTING IT IN THE SLOT,

"WHEN I WAS PUTTING IT IN THE SLOT,"

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IT HAPPENED TO PASS IN FRONT OF A 300-WATT BULB.

"IT HAPPENED TO PASS IN FRONT OF A 300-WATT BULB."

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YOU WANT ME TO GET ON THE HORN, GET HIM IN HERE?

"YOU WANT ME TO GET ON THE HORN, GET HIM IN HERE?"

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YEAH, I GUESS I COULD TALK TO HIM. YOU THINK HE'D COME DOWN

"YEAH, I GUESS I COULD TALK TO HIM. YOU THINK HE'D COME DOWN"

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AND BRING SOME OF HIS PICTURES?

"AND BRING SOME OF HIS PICTURES?"

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SURE, I'LL GIVE IT A SHOT.

"SURE, I'LL GIVE IT A SHOT."

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I USUALLY HESITATE TO USE THE POWER VESTED IN ME

"I USUALLY HESITATE TO USE THE POWER VESTED IN ME"

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BY THE POST OFFICE AND THE ALMIGHTY,

"BY THE POST OFFICE AND THE ALMIGHTY,"

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BUT IN THIS CASE, I'LL MAKE AN EXCEPTION.

"BUT IN THIS CASE, I'LL MAKE AN EXCEPTION."

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ANYBODY GOT A DIME?

"ANYBODY GOT A DIME?"

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WHOA, WHOA. WAIT A SECOND.

"WHOA, WHOA. WAIT A SECOND."

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MAYBE THIS WHOLE THING'S ABOUT TO BLOW OVER.

"MAYBE THIS WHOLE THING'S ABOUT TO BLOW OVER."

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SAM?

"SAM?"

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YEAH?

"YEAH?"

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WE'VE BEEN VERY CHILDISH IN THE PAST.

"WE'VE BEEN VERY CHILDISH IN THE PAST."

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WE HAVE?

"WE HAVE?"

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YES. OVER THINGS LIKE THIS MAGAZINE ARTICLE.

"YES. OVER THINGS LIKE THIS MAGAZINE ARTICLE."

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